The Heart of the Airport

Image of "Jade Canoe" art piece at YVR

The Spirit of Haida Gwaii: The Jade Canoe

Year: 1994

Artist: Bill Reid

Dimensions and Materials: Bronze cast, 2.2, jade green patina | 6.05 x 3.89 m

Terminal: International

Level: Level 3

Security Access: Before security

Often described as the Heart of the Airport, this acclaimed sculpture was inspired by nineteenth-century miniature canoes carved in argillite, a soft sedimentary rock that is found near Skidegate on Haida Gwaii. As with many historic examples of miniature canoes, this vessel is crowded with creatures and beings, their identities drawn from legends and oral histories of the Haida, and their forms energetically and sometimes fiercely interacting with each other in the manner of rivalrous siblings. Originally conceived and created for the new Canadian embassy in Washington D.C., it was installed in YVR to welcome visitors to the world.

Image of "The Great Wave" art piece at YVR

The Great Wave

Year: 1996

Artist: Lutz Haufschild

Dimensions and Materials: Glass | 10 x 40 m

Terminal: International

Level: Level 3

Security Access: Before security

Ever changing with the light and seasons, this dynamic glass wall depicts the power and strength of the ocean along British Columbia’s rugged coastline. Thousands of 2.54 cm-wide strips of float glass were cut and assembled to enable the various tints that create a seascape in which large waves are rolling towards the viewer and an imaginary shore and to relate, symbiotically, with Bill Reid’s monumental sculpture The Spirit of the Haida Gwaii: The Jade Canoe.

Image of "Welcome Figures" art piece at YVR

Welcome Figures

Year: 1996

Artist: Lutz Haufschild

Dimensions and Materials: Glass | 10 x 40 m

Terminal: International

Level: Level 3

Security Access: Before security

Ever changing with the light and seasons, this dynamic glass wall depicts the power and strength of the ocean along British Columbia’s rugged coastline. Thousands of 2.54 cm-wide strips of float glass were cut and assembled to enable the various tints that create a seascape in which large waves are rolling towards the viewer and an imaginary shore and to relate, symbiotically, with Bill Reid’s monumental sculpture The Spirit of the Haida Gwaii: The Jade Canoe.

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